[ It's a good thing she curbs back the so what edge to her voice. They are, supposedly, a little past that, and Natasha knows that that is, at best, a deflecting tactic. ]
I'm working on it, Steve. [ Not Rogers, not Captain. Steve. ]
[Because he trusts her, he does, even if she might still tell him that he shouldn't. But he doesn't trust these courts, what they tell people, the lengths they'll go to to make them fight.]
If you need any help, just say the word. I'm sure Sam wouldn't mind seeing you again so soon.
[If he was slightly more of a shit, he might even make kissy smoochy sounds.]
[ Something sharper in her voice, like an alertness coming to life. Though the huff of a laugh after it says otherwise. Warmer. A little fonder, too. ]
Hey, I'm not the one shacking up with an artist.
[ Natasha doesn't make kissy smoochy sounds. But she might as well have. ]
[ About himself. About war, and things greater than he is. James, too, and Sam. That's one of the dangerous things about love. You don't have to ask people to follow you down that path. ]
[He smiles a little at that. He's not going to actually promise it, not and risk lying to her. But he also doesn't want to put anyone else in danger by default.]
audio | feb 1st, late evening
I volunteered.
[ Kind of, anyway. Close enough to the truth that the sentiment still holds. ]
I'll be tasked out soon.
audio | feb 1st, late evening
[And his voice has that half-worried, half-disapproving edge to it. No wonder he's like a dad to half a dozen teenagers.]
This war is about to heat up. Innocent people on both sides stand to get hurt.
audio | feb 1st, late evening
[ It's a good thing she curbs back the so what edge to her voice. They are, supposedly, a little past that, and Natasha knows that that is, at best, a deflecting tactic. ]
I'm working on it, Steve. [ Not Rogers, not Captain. Steve. ]
audio | feb 1st, late evening
[Because he trusts her, he does, even if she might still tell him that he shouldn't. But he doesn't trust these courts, what they tell people, the lengths they'll go to to make them fight.]
If you need any help, just say the word. I'm sure Sam wouldn't mind seeing you again so soon.
[If he was slightly more of a shit, he might even make kissy smoochy sounds.]
audio | feb 1st, late evening
[ Something sharper in her voice, like an alertness coming to life. Though the huff of a laugh after it says otherwise. Warmer. A little fonder, too. ]
Hey, I'm not the one shacking up with an artist.
[ Natasha doesn't make kissy smoochy sounds. But she might as well have. ]
audio | feb 1st, late evening
But finally:]
First of all, she's an architect. And second, you've been here one day.
audio | feb 1st, late evening
So she's smarter than you, that's always a plus. Maybe a little out of your league, though, unless you get knighted or something.
audio | feb 1st, late evening
audio | feb 1st, late evening
[ So get your ass in gear, okay?
Another beat. Her voice sounds a little more -- not somber, exactly, but less deflective. ]
And Steve?
audio | feb 1st, late evening
[Or lack thereof. He thinks he's doing okay though. He thinks.]
Yeah?
audio | feb 1st, late evening
[ About himself. About war, and things greater than he is. James, too, and Sam. That's one of the dangerous things about love. You don't have to ask people to follow you down that path. ]
audio | feb 1st, late evening
You be careful too. I'll see you soon.